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Hello
Again.
Blimey, it's February
already, I guess the Northern part of the globe is
looking forward to Spring, while down under here in OZ we are
approaching
the
end of summer... just a few more weeks and we'll be into Autumn...
great, it's my favourite
part of the year, I don't do much in the foundry over the hot months,
and like
many others in OZ, I really look forward to the cooler part of the
year, which means lots of melting and pouring.
A big welcome to the
many new subscribers who have joined the ezine in the past
month, we trust you will enjoy the articles and gain some knowledge
along the
way. Thank you also to all who have purchased the ebook package over
the past
few weeks, we truly appreciate your support, many new clients who want
to learn about hobby casting dont just come from the US, Canada,
Europe, South Africa,The UK, NZ or Australia, we also noticed a couple
from Israel, and another from
The
United Arab Emirates, its good to see the home foundry
activity is still happening over there in the middle east. There have
been several people from Malaysia & a few from Japan come on board
in the last few weeks.
If you are within an easy drive of other metal casters and you happen
to get
together every now and again for a weekend of fun and casting, then
don’t be
afraid to send in a short story
and some pictures of your
weekend of
casting, so that other ezine
readers can read about your weekend adventure.
I need metal casting related stories for the ezine, please consider
sending in
something, even if you think you cant write, we can work together to
get it
right, so what about it.
Have you got some thing interesting to tell? get to work, hit the
keyboard now
and email me so that I can prepare for the next issue. I want this
ezine to be
as much yours, as it is mine. To contact us please use the secure contact form on the web site.
the link is at the bottom of the page.
Below you'll read a little about what happens to metal during annealing & re-crystal- lisation
when metal is shaped or
rolled, metal is a remarkable substance, it's structure and
characteristic
means that it can be manipulated in many ways to convert it into what
ever
quality of metal is required. You'll also read an overview of metal Alloys. And some tips to build
your own moulding bench.
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Annealing
and re-crystallisation.
A cold-worked
metal, that is, one that has been deformed
without any application of heat, is in a state of considerable internal
stress.
During annealing, these stresses are re- moved, and the original
ductility of the
metal returns. The changes, which accompany an annealing process, occur
in three
stages.
01. The relief of
stress.
As the temperature of the cold-worked metal is gradually
raised, some of the internal stresses disappear, as atoms move through
small
distances into positions nearer equilibrium. At this stage, there is no
alteration in the generally distorted appearance of the structure, and,
indeed,
the strength and hardness produced by cold working remain high.
Nevertheless,
some hard-drawn materials, such as 70-30 brass, are given a
low-temperature
anneal in order to relieve internal stresses, as this reduces their
tendency
towards 'season cracking' during service, i.e., the opening up of
cracks along
grain boundaries, due to the combined effects of internal stresses and
surface
corrosion.
Note: Almost all
castings pulled from the sand mould have internal stresses of some
kind, heat treatment will normalise the metal.
02. Re-crystallisation.
With
a further increase in temperature, a point is
reached
where new crystals begin to grow from nuclei, which form within the
structure
of the existing distorted crystals. These nuclei are generally produced
where
internal stress is greatest, that is, at grain boundaries and on slip
planes.
As the new crystals grow they take up atoms from the old distorted
crystals,
which they gradually replace. Unlike the old crystals, which had become
elongated in one direction by the cold-working process, these new
crystals are
small and equi-axed.
This phenomenon,
known as re-crystallisation, is the
principal method used to obtain a tough, fine-grained structure in most
non-ferrous metals. The minimum temperature at which it will occur is
called
the re-crystallisation temperature for that metal,
though it is
not possible to determine this temperature precisely, because it varies
with the amount of
cold work to which the metal had been subjected before the annealing
process. The
more heavily the metal is cold-worked, the greater the internal stress,
and the
lower the temperature at which re-crystallisation will begin. Alloying,
or the
presence of impurities, raises the re-crystallisation temperature of a
metal.
Metal
Re-crystallisation
temperature
('C)
Tungsten
1200
Nickel
600
Pure iron
450
Copper
190
Aluminium
150
Zinc
20
03. Grain growth.
If the annealing temperature is well above that for
re-crystallisation of the metal, the new crystals will increase in size
by
absorbing each other cannibal fashion, until the resultant structure
becomes
relatively coarse-grained. This is undesirable, since a coarse grained
material
is generally less ductile than a fine-grained material of similar
composition.
Moreover, if the material is destined for deep drawing, coarse grain
tends to
disfigure a stretched surface by giving it a rough, rumpled appearance
known as
'orange peel. Both the time and temperature of annealing must be
controlled, in
order to limit grain growth; though, temperature has a much greater
influence
than does time on grain growth.
Metal Alloys- A General Overview.
Most of our
useful metals are soft and ductile when pure. Pure
copper and pure alum- inium are admirable materials from which kettles,
pots,
pans and the like can be formed; whilst dead-mild steel which
industrially is
the nearest feasible approach to pure iron is widely used for the
bodywork of
motor cars, and countless other drawn or pressed com- ponents.
Unfortunately,
these pure metals, though ductile, are comparatively weak; and, whilst
it is
possible to increase their strengths by means of cold work processes,
it is
usually necessary to obtain still greater strength and hardness by
alloying.
An alloy
is a mixture of two or more metals, made with the
object of improving the pro- perties of one of these metals, or, in
some cases,
producing new properties not pos- sessed by either of the metals in the
pure
state. For example, pure copper has a very low electrical resistance,
and is
therefore used as a conductor of electricity; but, with 40% nickel, an
alloy,
'Constantan', with a relatively high electrical resistance is produced.
Again,
pure iron is a ductile though rather weak material; yet the addition of
less
than 0.5 % carbon will result in the exceedingly strong alloy we call
steel. In
this chapter we shall examine the internal structures of different
types of
alloy, and show to what extent the structures of these alloys influence
their
mechanical properties.
It is a
general rule that, in order to produce a useful
alloy, two metals must 'mix' with each other in the molten state. In
some cases
they do not; but, like oil and water, form two sep- arate layers in
their
containing vessel. Clearly, such metals are unlikely to form a useful
alloy,
and we must therefore begin with the assumption that the two metals do
mix;
that is, they completely dissolve in each other in the liquid state, to
form a
single homogeneous solution. Vast volumes have been written about the
alloying of metals,
to learn more about this fascinating subject, take a look in the
metallurgy section
of your local library.
The Hobby Foundry Moulding Bench - Tips To
Build Your Own.
Article Classification: Workshop
skills, welding & fabrication.
If you're going to spend
a good part of your spare time working in your hobby foundry, then you'll need to have the best
possible equipment & gear that you can afford. And there is no need to go
out and spend a small fortune, if
you are resourceful you can build your own moulding bench.
If you have the ability to
fabricate & weld steel, then the best way is to self-build, you can custom design &
build a moulding bench exactly the way you want it.
And if you don't know how to
fabricate and weld then building a moulding bench will provide a learning experience
in basic fabrication and arc welding
skills. It's not hard; it's a lot of fun, & quite rewarding when
you can complete
worthwhile projects.
In the 3-Vol-foundry ebook, we
illustrate a moulding bench constructed from re-cycled steel tube, 3/4" thick MDF board
for bench top, it is mounted on
casters for mobility. When the bench is not being used for making moulds it can be used for other purposes
in the workshop. To protect the bench top, it is wise to clad the MDF with
16g or 18G sheet metal, preferably with a zinc or galvanised coating to
prevent rust occurring, which will happen if you use green sand for moulding as it
holds quite a bit moisture and will eventually corrode plain sheet
metal.
Moulding
Bench Dimensions - What is the right height for you.
Most tables & benches are
made to standard heights, these heights are determined from the size of the
average human being... but what if you're not Average,
you might be quite tall or very short, nothing is more uncomfortable than working at a bench
that's not tuned to your height.
So think carefully when you
construct your own moulding bench. You don't want to have to bend over the
bench too far as this will give a back ache, make it too high, and you
wont be able to carry out your moulding
work properly. Measure the heights of various tables and benches around your house which are made to
recommended table or bench
heights, try these out in an
imaginary way, and then adjust slightly up or down to suit you and not anyone else,
because you will be the one
working on the bench.
A good way to see what
bench height is best for you is to place your mould boxes on a normal table; imagine you
are about to start work in
your foundry. Make an assessment to see if the table is to high, or
low, or perhaps it's just
right, make an informed decision and then build your new moulding bench to suit you.
You will be spending a lot of
time ramming and making sand moulds so make sure the bench height is the most
comfortable possible. You
should also think about storage areas underneath your moulding bench, design your bench to store your
sand bins, moulding boxes, bottom
boards, tins of parting powder, and other hand tools used in your hobby foundry. Moulding bench
illustrations and measurements are provided in the 3-Volume hobby
foundry ebook.
Home Made Hand Tools
For Hobby Foundry Work.
Article Classification: Workshop
Tools, welding & fabrication.
If you have been
thinking about making a start in hobby foundry work in your home work- shop, you may be
forgiven for thinking that the tools and equipment are going to cost you an arm
and a leg, this need not be.
Sure, you could trot off to the downtown industrial tools supplier and take home an arm full of expensive
tools.
But if you take a good look at
some of the tools, you'll discover that the design principles and fabrication could
well be undertaken in the home workshop
if you have metal fabri- cation skills and a reasonable amount of basic metal working equipment.
Take for instance "crucible
lifting tongs", once you understand how these tools operate; you could quite easily make
a set or two over a weekend. The
basic design action ope- rates on the "scissor principle" but they
don't cut anything, they are
designed to "clamp securely" onto the crucible to lift it out of the furnace when the metal
has melted.
Great caution needs to be taken
while carrying out this operation, as one slip due to faulty or badly designed
tongs, and you could have a disaster on your hands.
The best way to design and
build a set of tongs is to copy a well made set, or to follow directions set out in a
textbook or ebook downloaded from
the net, a free
how to build crucible
tongs guide book is provided in the ebook package at our web
site.
Following are some of the most
frequently used basic tools you'll need in the hobby foundry; Bench ramming
moulders tool - Tube sprue cutter - turned wood sprues - slick & oval
spoon - hand riddle or sand sieve - draw pins, screws & hooks - vent wire -
rapping bar and
spike - gate cutter - strike off bar. Sand carving tools (made from old hacksaw
blades)
The tools mentioned above seem
to be the ones that will be most used in your hobby foundry... and all of them
can be home made if you have metal
& wood working skills, it will take time and effort to make the
tools required, but they wont
cost you a red cent if you make them from scrap materials, and if you are like most
hobbyists you will know where to "scrounge stuff".
You may have to experiment with
different ideas before you arrive at the most satis- factory design, but you will
learn a great deal about why things have to be made certain ways.
Do you own a wood lathe? Even a
most basic machine will suffice in the home workshop, you could even make your
own wood lathe if you were keen enough, I guarrantee there are tens of
thousands of home made wood lathes sitting in hobby workshops the world over.
A wood lathe will repay itself many times over when you start to make patterns
for your hobby foundry.
Your bench-ramming tool can be
quickly turned to shape on the wood lathe, in fact, while you're at it, make two or
three of them in different shapes & sizes, they will all come in handy when ramming
and moulding patterns of differing sizes, you could get away with a single
tool, but you wont regret making
extra sand ramming tools.
Draw pins and spikes are used
to remove timber patterns from sand moulds after the pattern has been rammed.
The pattern will need to be carefully
removed without dis- turbing any of the surrounding sand. Draw pins can easily be fabricated from
long slender wood screws, and
particleboard screws are ideal. The easiest way to convert wood- screws
into draw pins is to braze weld a short length of 1/4" dia mild steel rod
onto the head of the screw...that is all you need to do... make a set of
them in different lengths and using different gauge screws, you should
have the field covered as far as
lifting pins or draw spikes go... simple isn't it.
Worn or blunt hacksaw blades
are usually thrown in the bin, from now on you should save them, as many useful little
hobby foundry tools can be made from old blades, quite often-
small sand carving tools can easily be made by grinding and shaping with a normal
bench grinder. One of the best ways to make a mould vent
tool is with a bicycle spoke,
they are quite tensile in strength, and all you need is to form a point
on
one end, topped with a round wood handle on the other, and it's ready
to go.
By being resourceful and
thinking how you can use scrap materials, you should see now that there is
absolutely no need to spend large amounts of money to get the tools and
things you need for your hobby. The more fabrication skills you have the
better you will be
equipped to build all manner
of tools and equipment at a very low cost.
Good Luck.
Industry News
Snippets.
Plugging holes in light metal casting
technology.
To read this article click on the link below.
http://www.uq.edu.au/news/index.html?article=2337
US aluminium casting may
need to double capacity by 2015:
Thayer. http://metalsplace.com/metalsnews/?a=3719
China.
Some People will stop at nothing for a "bit"
of scrap metal.
Beijing:
Thieves stole 4,000 manhole covers in
the Chinese capital and sold them
for scrap metal last year, despite government efforts
to stop the pilfering.
Geez, how much
would all those man hole covers
weight, man, that would sure test a Rickshaw out! (Grin)
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